AN’ANAVIY MAQOM VA ZAMONAVIY BAXSHICHILIK (MAXMUD NOMOZOV MISOLIDA)

Abstract

This article highlights from a critical and scientific-analytical point of view the multifaceted significance of several projects broadcast by the media in the harmonization of modern genres of maqom and bakhshi, as well as the need to widely promote the art of maqom and bakhshi throughout the world, to study them and convey them to future generations in a convenient (literally improved) state, which has become one of the most pressing issues today. Critical consideration of the issue of the integration of the art of maqom and bakhshi, which are our intangible cultural heritage, into a wide audience, that is, the emergence of maqom art from the traditional circle of listeners to a wide and diverse audience of pop music, the balance of the synthesis of maqom art and bakhshi art, and the preservation of the balance between tradition and modernity in the process of creative research, the emergence of new interpretations and perfect performance styles were highlighted with a number of (scientific, critical, analytical) opinions and considerations.