POSTMODERNIST BIOFICTION AND ITS PECULIARITIES

Authors

  • Rizaeva Dilyayra Shavkatovna Author

Abstract

Postmodernist biofiction represents a literary genre that blurs the lines between fact and fiction, merging biographical narratives with fictionalized elements. It serves as a medium for reinterpreting history, exploring subjectivity, and questioning established truths. This paper investigates the defining characteristics, thematic concerns, and narrative techniques of postmodernist biofiction, highlighting its departure from traditional biographical writing. Through a review of prominent examples and critical theories, the study explores how postmodernist biofiction reshapes our understanding of identity, truth, and storytelling.

References

1. Hutcheon, L. (1988). A Poetics of Postmodernism: History, Theory, Fiction. New York: Routledge.

2. Waugh, P. (1984). Metafiction: The Theory and Practice of Self-Conscious Fiction. London: Methuen.

3. Lodge, D. (1992). The Art of Fiction. London: Penguin Books.

4. Mantel, H. (2009). Wolf Hall. London: Fourth Estate.

5. Barthes, R. (1989). The Rustle of Language. Berkeley: University of California Press.

6. Tóibín, C. (2004). The Master. New York: Scribner.

7. White, H. (1978). Tropics of Discourse: Essays in Cultural Criticism. Baltimore: Johns Hopkins University Press.

8. Dyer, G. (2005). Out of Sheer Rage: Wrestling with D. H. Lawrence. New York: Vintage International.

9. Eco, U. (1984). The Name of the Rose. San Diego: Harcourt Brace Jovanovich.

Downloads

Published

2025-01-05