GARDENS IN LITERATURE: A SYMBOL OF GROWTH, BEAUTY, AND MYSTERY
Abstract
This article examines how writers from various literary traditions have portrayed growth—whether it be intellectual, emotional, or physical—through gardens as a narrative technique. By looking at pieces from different eras and genres, the article emphasizes how gardens continue to be significant as representations of human potential, resiliency, and the delicate balance between nature and nurture.
References
1. Hunt, John Dixon. The Garden as Cultural Object. (2004)
2. Richardson, Tim. The Arcadian Friends: Inventing the English Landscape Garden. (2008)
3. Harrison, Robert Pogue. Gardens: An Essay on the Human Condition. (2008)
4. Milton, John. Paradise Lost. (1667)
5. Cooper, David E. A Philosophy of Gardens. (2006)
6. Bachelard, Gaston. The Poetics of Space. (1958)
7. Heffernan, Teresa. Post-Apocalyptic Culture: Modernism, Postmodernism, and the Twentieth-Century Novel. (2008)
8. White, Gilbert. The Natural History of Selborne. (1789)
9. N.A.Hikmatova The role of agiotoponyms in English literature International scientific journal “Modern science and research”, p.p 152-154
10. N.A.Hikmatova Lexical analysis of agoronym “market” in Christina Rosetti’s “Goblin’s market” and Zulfia Kurolboy’s story “Rainy road” Miasto Przyszłości, 2024, 128-129-bb
