ARTISTIC-AESTHETIC SYSTEM OF UZBEKISTAN MUSICAL FOLKLORE AND ITS CULTURAL FUNCTIONS IN WORLD CULTURE
Abstract
This article analyzes the artistic and aesthetic nature of Uzbek musical folklore and its culturological significance in world cultural processes from a scientific and theoretical point of view. The formation of folklore genres, modal structures, semiotic layers, rhythmic and intonation system, historical genesis and their functional role in global musical communication are studied on the basis of modern ethnomusicological concepts. Also, the role of maqom art, Bakhshi schools, ritual songs and folk songs in the formation of cultural identity is covered on the basis of international experience and UNESCO documents. The research used comparative, structural, semiotic and cultural studies methods.
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