PLOT STRUCTURE AND THE PHENOMENON OF RETROSPECTION IN MODERN UZBEK NOVELS
Abstract
This article examines the evolution of plot construction in contemporary Uzbek novel writing and analyzes the role of the phenomenon of retrospection within its poetic system. In the period of independence, the Uzbek novel has undergone significant renewal in terms of content, form, and artistic thinking, leading to the widespread use of retrospective representations associated with complex temporal layers, memory, individual psychology, and personal experience. The article provides a scholarly discussion of the historical development of plot, postmodernist elements observed in modern novels, symbolic and artistic structures, as well as the compositional and functional potential of retrospection. In addition, the works of writers such as Isajon Sulton are examined to demonstrate how retrospection functions as an artistic means of reinterpreting reality and of representing the dialectical relationship between personal and social memory.
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