UZBEKISTAN LYRIC SINGING OF THE 20TH CENTURY: HISTORICAL-EVOLUTIONARY DEVELOPMENT, SCHOOLS OF PERFORMANCE
Abstract
This scientific article analyzes the formation of lyrical singing in the Uzbek musical art of the 20th century, the stages of historical development, and its artistic and aesthetic essence based on a comprehensive approach. The study reveals the integration of traditional folk singing and maqom performance with professional stage art, socio-cultural factors, technological processes, and the performing schools of lyrical singing on the example of the work of accomplished performers. The results of the article serve to deepen the theoretical foundations of Uzbek vocal art.
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